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About

Uprooted: Rediscovering American History is a Brookings series that examines how the contributions of marginalized communities are being erased from our national story and how systemic racism continues to shape America’s institutions, policies, and lived realities. Through evidence-based analysis across five key themes, the series reclaims overlooked histories, advances racial equity, and offers policy solutions to help build a more inclusive and resilient democracy. 

OBJECTIVES

Research consistently demonstrates that systemic racism and discrimination—embedded in institutions, policies, and social norms—has historically oppressed marginalized communities and perpetuated disparities in education, economic opportunity, health care, and in the criminal justice system. As the country celebrates its 250th anniversary this year, addressing these inequities is more essential than ever for building a thriving democracy. Uprooted emphasizes this work by:

  • Highlighting innovative policies, community-led solutions, and narratives that promote racial equity and dismantle barriers to civic engagement. 
  • Catalyzing meaningful action by encouraging collaboration across political and social divides, fostering innovation in public policy, and inspiring citizens to participate actively in shaping a healthy, inclusive democracy. 
  • Preserving the legacy of uprooted communities who helped to build American society and culture and offer policy options to promote racial equity, justice, and community. 
  • Centering the causes of social inequality and offer narratives about historical moments, community leaders, and places throughout the U.S. that promote citizen power and human dignity. 
  • Strengthening community relationships by showcasing community-driven strategies that build a more equitable, accountable, and resilient democratic society that cultivates genuine opportunities for all Americans to thrive. 

 

DESIGN INSPIRATION

Series title 

Our project team decided on using the name, Uprooted: Rediscovering American History, due to the multiple connotations it means to “uproot” and what people can take away from this powerful message. In one light, it can encompass marginalized communities being erased and purposefully removed from history and the struggle of perseverance that follows this upheaval. Alternatively, it can be a positive force in which we combat prejudices, dismantle constraints, and bring forth a renewal of ideals—showcasing that out of disruption something new can flourish. 

Logo 

The logo design for the Uprooted series is in reference to Civil Rights–era typographic practices, where repetition and visual consistency were used to assert collective identity and political presence. Within this historical framework, typography functions as a form of visual call and response, situating each work within an ongoing narrative of displacement and struggle. The uniform design emphasizes the structural interconnectedness of these experiences rather than presenting them as isolated events. 

Mural I am a Man by artists Darius Dennis, Robin Alcantara, Jared Diaz, and Ephraim Gebre in the Wicker Park neighborhood of Chicago.
Chicago, Illinois – United States – April 6th, 2025: Mural I am a Man by artists Darius Dennis, Robin Alcantara, Jared Diaz, and Ephraim Gebre in the Wicker Park neighborhood of Chicago. Photo by EJ Rodriguez Photography/Getty Images.
Man holding up protest sign
“Washington D.C., USA – October 2, 2010. A man holds up a protest sign that reads “”We March for Hope not Hate””. Photo was taken at the One Nation March, a rally for union and civil rights.” Photo by Diane Diederich/Getty Images.
Uprooted

Imagery 

The history, culture, and the experiences of communities that have been racialized and oppressed is incomplete without art. Art is individual and collective action on display. This series will be punctuated with images and collages that reflect the stylings of the modern Civil Rights Movement and artists such as Romare Bearden. Bearden used collages as a narrative of Black life in urban and rural communities to show hardships, joy, resilience, community, faith, and collective action to advance social life. His influence on the art and themes we cover are integrated throughout this series. 

Romare Bearden collage
A visitor looks at the "Patchwork Quilt" (1970) artwork by Romare Bearden during the press visit of the exhibition "Black models: from Gericault to Matisse" at the Musee d'Orsay in Paris on March 25, 2019. The exhibition ran from March 26 to July 21, 2019. Photo by FRANCOIS GUILLOT/AFP via Getty Images.